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Hello Stranger: 

"Director Sarah Figoten Wilson achieves an eerie and strangely disjointed Lynchian quality throughout — one that fits the Inland Empire strikingly well. She achieves the right pace for the play — slow and deliberate, creating a creeping uneasiness."- Stage Raw

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"...director Sarah Figoten Wilson's attractive Theatre of NOTE premiere...delivers a lavishly sensual feast."  -LA Weekly

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"...one of the most original, engrossing plays I've seen in a long time." -Discover Hollywood

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She Loves Me:

"the must-see theatrical event of the season"--Stage and Cinema

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"Under Sarah Figoten Wilson’s assured direction, a fourteen-member cast deliver all-around sparkling performances" -- Stage Scene LA

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"Sarah Figoten Wilson’s insightful direction plays to the many strengths contained in Masteroff’s swift-moving libretto while emphasizing the honesty and veracity of the situations depicted–and, most especially, those depicting them. The engaging result is genuine, believable ‘people’ as opposed to your standard “Musical Theater Characterizations” so common in previous versions of the show. " -- Bucking Trends

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The Face in the Reeds:

"director Sarah Figoten Wilson believably show(s) how these characters mercilessly prod and poke one another’s emotional sore spots" -- LA Times

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"Each point that’s made is consistent and effective, and director Sarah Figoten Wilson brings this ensemble of excellent actors through it all with conviction, believability, and panache." -- Cynthia Citron

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"All actors are convincing in their roles, and the production team has done a superb job with the lighting and stage sets. Kudos to the Writer, Director, and Producer, for a good show that’s worth seeing." -- Ester Benjamin Shifren – LASplash

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"Moving the actors well, if not always creating the most interesting or informative stage picture, Wilson makes good use of a perfect middle-class Jewish home " --Jason Rohrer – Stage and Cinema

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"As the audience files in, Russin’s play opens with Christina putting finishing touches on the holiday table, tidying and sweeping up, a marvelous directorial touch by Sarah Figoten Wilson [and an] example of character-behavior"-- Stagehappening.com

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Jacques Brel is Alive and Well:

"There is a surprisingly sizable portion of heart-tugging emotion in a show that only presents its characters interacting for a few minutes at a time. Director Wilson and her fine quartet deserve high praise for creating and sustaining this mood "-- Daily Pilot

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